Tommy Robinson’s story is best understood as an exercise in showbusiness, and the search by a relentless attention-seeker for public acclaim and influence. Already he has turned his release on bail from prison – he was serving a 13-month sentence for contempt of court – last week into the latest scene in a cunningly curated digital drama.
Like a sort of low-rent, hard-right David Bowie, Robinson was already thinking of the next mask
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